Jawlensky. La promesse du visage. Archéologie généralité 800 engraved gems from the

800 engraved gems from the ancient Near East

The eyes of Augustus and Livia at the Louvre Museum: a new ancient technique identified Dominique ROBCIS

A flower makes spring: the Ancients saw it as the symbol of nature

Combining a chronological and sociographic approach

Jawlensky. La promesse du visage. Archéologie généralité 800 engraved gems from theA Russian painter and Kandinsky's traveling companion during the first decade of the 20th century in Munich, Alexej von Jawlensky offers the example of an artist who participates in modernity by experimenting with boundaries: between expressionism and fauvism, between figuration and abstraction. This singular work begins an exploration of the face, which simplifies over the years, moves away from resemblance, then blurs, loses its features, to become